22 minutes 30 seconds (Ben Evans)

I’ve recently been playing around with some portrait work, as well as trying some set activities exploring different approaches to portraiture.

After reading about Richard Avedon’s work on the seminal In the American West, I looked for a willing volunteer victim to help me try something out, which Ben was happy to do 🙂

One aspect of Avedon’s approach that particularly interested me was the lack of conversation with his subjects while photographing them, allowing the silence and sustained attention of the camera to become part of the encounter.

The idea was a 30-minute portrait sitting. I set the camera up beforehand and triggered it remotely, so rather than standing behind the camera, I was off to the side. I had a single 36-shot roll of film. Ben had to sit, with no communication between us, and only look at the camera.The point of the exercise was to actually look at a subject, with the barrier of the camera removed. It was, at first at least, a deeply uncomfortable experience, although as time progressed I found that act of simply observing became easier.

We had a chat afterwards about the experience: the idea of subject and photographer analysing each other, every movement and the decision of what to capture, and the roles of performativity and judgement. I think you can see around halfway through where Ben’s expression and posture begin to change. What initially looks like a presentation of relaxation, or a conscious letting down of his guard, gradually seems to become something different: the removal of any cognitively demonstrated presence. Rather than appearing relaxed, he almost stops appearing to perform anything at all.

In the end, the session was only 22 and a half minutes long, but it felt long enough. As I said, it was a strange experience, but also a useful and interesting one, both practically and cognitively. It’s definitely something I’d be keen to explore more in the future.

You can see all 36 “Bens” below – I was tempted to upload as a gallery but think the series works better as a slideshow 🙂

The eclipse (well 93%!)

We had explored options to be in Spain for the eclipse, but that didn’t work out. I’d pretty much written it off until I realised fairly late that we were going to get around 93% coverage here in South Wales.

So I headed to Rest Bay, along with what felt like half of Wales.

There was something about the experience that reminded me of photographing Iftar. Obviously very different events, but I felt a similar sense of connection with the people around me. So many of the shared experiences that bring people together now are things we pay for, consume, or that are somehow exclusive. This was none of those things. We were all just there because of something natural, ancient and completely outside of our everyday lives.

In the end, that sense of shared experience was probably more interesting to me than the eclipse itself.

Then image below of the 93% was shot on my Fuji xt5 with a 70-300 and a 1.4tc – and some very appreciatively loaned solar filter paper! The other images were shot on my Leica MP, on ilford XP2